![]() A tap button, meanwhile, enables you to set the repeat rate. The “warm” delay has a more analog feel, while “clear” has a more digital-like repeat. Intensity and mix are set at fixed points, and the delay works in a similar fashion-repeats are fixed at around five, and turning the control clockwise increases the ratio of delay to dry signal. And you have to move through the whole rate spectrum of a given effect before you click over to the next, which then engages at the lowest rate. ![]() Having all the effects on a single knob saves space but sacrifices versatility and control. The EFX control lets you choose from five effects-chorus, flanger, phaser, tremolo, and heavy octave. ![]() The third channel is called Solo, but it’s essentially any preset you dial up and save by holding down its button.īass, middle, and treble knobs govern all three channels, and the presence knob works a lot like the bright switch on the JC Clean channel, though it has much greater range. The Lead channel has a 10-position rotary switch for selecting amp type-from acoustic sounds to tweed and heavily distorted settings. JC Clean aims to capture the sound of the renowned Jazz Chorus-120, and engaging the bright switch boosts the mid and treble presence for a more cutting and crisp tone-which, when we’re talking about a JC-120, is pretty crisp. Like the 80XL, the 80GX has three channels-JC Clean, Lead, and Solo. And the differences in the control layout and expanded sonic possibilities are welcome developments. ![]() Here, we’ll take a look at the 80-watt Cube 80GX.Īnyone who has spent time with previous Cube versions, especially the more recent 80XL, will be perfectly at home with the GX. This summer marks the release of the Cube GX series, which comes in 20-, 40-, and 80-watt models and builds on with the company’s COSM (composite object sound modeling) audio software to hone a formula that’s always delivered a lot of bang for the buck to players who need to cover a lot of musical ground on a budget. Over the years, Roland has expanded the Cube family considerably in both wattage and size. The compact, battery-powered amp quickly became the benchmark in portability and a fixture for anyone engaging in small-scale, spur-of-the-moment gigging in unlikely locales. Roland introduced the Micro Cube in 2005 to the delight of street buskers the world over. ![]()
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